Intellectual property rights are a subject rarely discussed in artistic circles. Yet, when revisiting their impact, it becomes evident that some parts of the world have not fully benefited from their significant contributions to global culture. A prime example is Jamaica’s rich musical history. As pioneers of a unique sound that has profoundly influenced global music and audio engineering, many Jamaican artists and communities have faced, and continue to face, challenges in reaping the rewards of their cultural influence.

To truly grasp this reality, one must visit places like Trench Town or Judgment Yard in Kingston, Jamaica. While the world is familiar with iconic songs born from the genius of these communities, the financial benefits often fail to flow back to sustain the very roots of this creativity.

Driven by a personal passion and curiosity for the music that became the soundtrack of my life, I’ve journeyed on my own to Kingston to connect with the source of this cultural phenomenon. During my time there, I interviewed local artists and community members and delved deep into their lived realities. Among these encounters was a pivotal conversation with Maxine Stowe, whom I affectionately call 'the queen of the industry.' A distinguished figure in reggae music, Maxine Stowe has made invaluable contributions as a music executive, cultural consultant, and advocate for Jamaican music and culture.

This short documentary offers an insightful dialogue with Maxine Stowe on the topic of intellectual property rights within the Jamaican music industry. It aims to shed light on the struggles faced by the community, encourage understanding, and pave the way for a future where this influential culture thrives in unity and mutual respect for ideas and heritage.